DUKE ELLINGTON SOCIETY OF SWEDEN

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Ellington ’88 In Oldham (2)

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When one looks at the program for the conference, which has got a very nice and clear design, it is easy to understand why it is considered as one of the best in the series of Ellington Study Group Conferences.

Oldham 88 Program

The presentation part is very strong both on paper and when one listens to them in Sjef Hoefsmit’s videos from the conference.

It is supplemented by a excellent concert program including three concerts – ”A Nite at the Cotton Club”, ”A Portrait of See’ Pea” and ”The Extended Ellington”.

The presence of Ellington alumnies like Alice Babs, Bill Berry, Buster Cooper, Herb Jeffries and Jimmy Woode at the conference and their active participation in it gave a special dimension to the event.

The DESS website will this time give more of thematic rather than chronological snapshots of the conference. This article gives some of the presentations on early Ellington.

But first we will let John E. Hasse talk about Mercer Ellington’s donation of Duke Ellington’s papers to the Smithsonian in Washington D.C. It was Hasse’s first appearance at an Ellington Conference but there would be many more.

At Ellington ’89 in Washington D.C. a full day was devoted to the Ellington Archive and the presentations on that occasion can be viewed here.

We have chosen two presentations on early Ellington for this article. The first is by Jerry Valburn – one of the instigators of the Ellington Study Group conferences and leading authority on Duke Ellington. He had chosen to talk about Ellington’s recording career 1923-1929.

The second presentation is by the noted jazz researcher and jazz journalist Frank Dutton. He had chosen Ellington’s Cotton Club period, on which he was a respected authority, as his topic.

All these three presentations were given at the first day of the conference and in the evening of it, the conference participants were invited to ”A Nite at the Cotton Club”. The English band Harlem provided the music and Herb Jeffries guided the audience through the night.

Here is a short excerp from the start of it. We will return to it in a later article.

 

 

 

 

 


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