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DR Duke Ellington Broadcasts (43)

The third of the three programs  with Ellington material from the Mercer Ellington donation, which Danish Radio put on the air in July 1960, was broadcasted on July 23, 1990 with Fleming Sjølund-Jensen as presenter.

It is the fourth DESS “goodie” this month and is available in the ”Goodies” section of the website.

The program starts with a segment of another Ellington interview, this one made by Guiana Broadcast Service. “If you had to do it all over again, would you?”, the interviewer asks Ellington. “Yes”, he replies, “but I don’t know if I would be as lucky” and then dwells on this issue.

Sjølund-Jensen dates the interview to October 1969 but it is actually from June 9, 1969. It was most likely done in Georgetown, the capital of Guyana, which was included in Ellington’s West Indian June 6-18, 1969.

Ellington and the band spent the first two weeks of October 1969 in Las Vegas. Possibly the interview was done during this engagement?

The broadcast continues with stockpile recordings from the early 1970’s. First comes The Checkered Hat from Feb. 23, 1971 with Norris Turney soloing in his own composition. It has been issued by Storyville on its Togo Brava CD.

Next are two selections from the May 13, 1971 stockpile session – Perdido (-11) and Charpoy (-12). Perdido is a feature for Money Johnson while Wild Bill Davis has the solo role in the Strayhorn composition Charpoy. It is issued on the Musicmaster label (CD) while Perdido can be found on the Togo Brava CD.

I Got It Bad, which follows, is an interesting version in an arrangement of Wild Bill Davis. Harry Carney and particularly Cootie Williams have the solo roles. It was recorded in the stockpile session Dec. 11, 1970 and has been issued by Storyville on the New York, New York CD.

After this, the program continues with Mood Indigo and Don’t You Know I Care from the stockpile session June 12, 1972.

Sjølund-Jensen then gives the listeners the pleasure to hear two full takes of Mood Indigo with a brk take in between them. This is no doubt the highlight of the broadcast. The first one is more than 9 minutes long and has not been issues on LP or CD so far. The second full take is almost 6 minutes long and is also included in Storyville’s New York, New York CD.

Ellington played similar versions of Mood Indigo at dance dates in Pennsylvania on April 14 and 19 but in June 12 Tyree Glenn was back in the band for a short time and that makes a lot of difference!

Don’t You Know I Care is a particular feature for Harold Minerve, who had joined the Ellington band in April 1971 to take over after Johnny Hodges.The take (-1) played in the broadcast has not been issued on LP or CD.

The broadcast ends with two contrasting songs.

First comes the solemn Christman Surprise  sung by Lena Horne at the first performance of Concert of Sacred Music in Fifth Avenue Presbytarian Church in NYC on Dec. 26, 1965. The lyrics are by Rev. C. Julian Barlett and the music by Billy Strayhorn.

It is followed by Ray Charles’ I Can’t Stop Lovin’ You, which Ellington recorded on May 19, 1964 for Reprise. The version played in the program (-2) has not been issued so far.

As Sjølund-Jensen says is his sign-off “We Can’t Stop Lovin’ You, Duke!

 

Concerts in Sweden 1966

Concerts in Stockholm 1966 (2)

DUKE & ELLA at Cirkus, Stockholm, Feb 8, 1966 | DUKE ELLINGTON ...

Action att Cirkus in Stockholm 1966

Ella sings Duke’s “favorite” tune

In contrast to the first concert from Stockholm’s Concert Hall on February 7, 1966, the second concert was broadcast by Swedish Radio. There was one broadcast on February 21 and one on March 11. Ella Fitzgerald and her trio were also part of this concert, but we strictly follow the New Desor on in our programming, meaning that Ella Fitzgerald is omitted, except for the two tunes att the end of the concert. The two concerts are not identical in contents, but differences are slight. (more…)

DR Ellington Broadcasts (42)

The second of the three programs  with Ellington material from the Mercer Ellington donation, which Danish Radio put on the air in July 1960, was broadcasted on July 16, 1960 with Fleming Sjølund-Jensen as presenter.

It is the second DESS “goodie” this month and is available in the ”Goodies” section of the website.

The program starts with another three selections from the stockpile session March 16, 1962. The Blues Ain’t sung by Milt Grayson ended broadcast 41. This time Sjølund-Jensen plays three more numbers with Grayson – Do Nothin Till You Hear From Me (-7) which also has a long solo by Lawrence Brown,  Where In The World (-11, -12-13- 15) and One More Twist aka One More Once (-15, -16), in which Paul Gonsalves also solo.

None of the selection have been issued on records so far.

Next comes two selections from the stockpile session Aug. 30, 1965 – Trombone Buster (-7) with Buster Cooper and Louie Bellson in leading roles and When I Am Feeling Kinda Blue aka Imagine My Frustration (-6) featuring Johnny Hodges. Trombone Buster is issued in the Private Collection series (vol 8) while the take of When I Am Feeling Kinda Blue is not issued so far.

The two following numbers are not easily found in discographies.

They are from a small group recording session with Cat Anderson as leader. Nothing from the session has been issued so far and Ellington participate only as a coach from the control room.This is why it is absent from the most common discographies.

In the broadcast, the session is said to be from August 18, 1962 but this is rather unlikely since Ellington recorded with Coleman Hawkins for Impulse that day.

In a article in the DEMS Bulletin 1990-3, Benny Åslund claims that the correct date is Sep. 18, 1962. It is a possible date. Ellington was in New York at the time and busy in recording studios. On Sep 17 he recorded the Money Jungle album.

Sjølund-Jensen lets the listeners first hear what he says Cat Anderson calls De De Dada Dum but also gives the title as Organ Grinder’s Swing. Anderson takes the opportuni to demonstrate his growl style.

The second tune is called On Flight and Anderson is certainly flying high in it. Paul Gonsalves also has a solo spot.

Next in the broadcast come two selections from the Jan 7, 1967 stockpile session. Ellington sits once again in the control room and this time it is Melba Liston, who has taken over the piano chair. She is also responsible for all the arrangements.

The selections are Jump For Joy (-7, -9 brk, -10) and I Like The Sunrise (-2, -3, -4, -5 and -9). Both are sung by Tony Watkins.

The broadcast ends with Together and Jeep’s Blues (nc) from a concert in November 1958. It is most likely the second concert at Theatre De L’Alhambra in Paris on Oct. 29, 1958.

 

 

Concerts in Sweden 1965-66

Concerts in Stockholm 1966

Ella Fitzgerald with Duke Ellington: It Don't Mean A Thing (1965 ...

In our endeavor to publish Duke Ellington’s concerts in Sweden in chronological order, you will have noticed that the only surviving concert from 1965 was extensively covered in three different articles in April-May 2017. We will therefore continue with events in Stockholm 1966. That year there were two concerts at the Stockholm Concert Hall (Konserthuset) on February 7 and a televised concert from Cirkus on February 8, which we previously have presented in videoformat. The two concerts in the Concert Hall have never been issued on record, nor have have we presented them in these pages, but some numbers have found their way on LP records.

The 1966 tour was organized by Norman Granz and in the concerts the time was divided more or less equally by Duke and his orchestra and Ella Fitzgerald and her trio.

Cotton Tail with Ella Fitzgerald

We here present parts of the first concert (we have left out the parts where Ellington is not present in order to avoid a too large music file) in the Goodies Room. We have no evidence of this part ever being broadcast, in contrast to the second concert which was indeed broadcast by SR. (more…)

Smått och gott / Bits and pieces

Spring issue of Blue Light

This issue was delayed because of the Covid 19 pandemic and reached the DESUK members in early May.

It is dominated by a 12 page article by Roger Boyes titled Black, Brown and Beige – New York City Winter 1943. It is a very impressive piece of work which in a sense is series of mini essays  with BB&B as the common theme. Some of the titles are A Theme for a LifetimeVery Public Preparations, Rye High and Carnegie Hall, The Reviews and Boston – A Modified Programme.

The article follows similar articles published in earlier issues of Blue Light and hopefully there will be more. Will there in the end be a book about Ellington in the 1940s?

Boyes also contributes to the new issue with an interesting and detailed comment on the article Duke Stride Piano in the previous issue of Blue Light.

A lengthy comment by Brian Priestly on Con Chapman’s Hodges book belongs to the same category. It expresses quite a critical view on the book.

Finally Mike Westbrook writes about his composition On Duke’s Birthday which was supposed to have been  performed at Ronnie Scott’s in London on Ellington’s birthday this year.

Upbeat CD with rare Ellington

The English Upbeat Mail Order company, which specialises in New Orleans revival and Dixieland music, took over the Canadian Jazz Oracle label last year. This label with John R.T. Davies as President produced a total of 71 CD titles of comprehensive and rare recordings from the 1920s and ‘30s. “The sound quality and remastering were state-of-the-art, the liner notes were lengthy and authoritative, and the packaging was top-notch.” (Scott Yannow)

Jazz Oracle rewarded good customers with a Gift from the President CD with very rare takes. One of them was take B of Ellington’s recording of Tishomingo Blues on June 28, 1928 and another take 2 of Without You Emaline recorded by Bubber Miley and His Mileage Makers on May 16, 1930.

Upbeat has recently reissued the CD as Vintage Jazz Rarities.

The CD has the same excellent sound as the original CD. However, a track with Mound City Blue Blowers has been left out for us who would like to have it all. But is is good that the tracks are in chronological order.

Essentially Ellington 2020

Essentially Ellington High School Jazz Band Competition organiserad av Jazz at Lincoln Center börjar fira sitt 25-årsjubileum i morgon. P.g.a. av Covid 19 pandemin är det ett rent virtuellt evenemang som kommer att vara tillgängligt genom strömmande medier som Facebook Live och Livestream.

Hela programmet finns tillgängligt här. Skrolla bara ner en liten bit på sidan. Själva tävlingen äger rum på fredag med början kl 20.00 svensk tid. Den föregås av av en stor virtuell jamsession på torsdagen och ett evenemang kallat 25 solon – 25 år. Men det bjuds naturligtvis mycket annat intressant. Det är bara att titta i programmet.

The Seven Tones Project

Detta är ett fantastiskt projekt på Facebook..

Enkelt uttryckt handlar det om ett kortfilmsprojektprojekt i vilket filmmakare och musiker kombinerar mycket vackra filmbilder med Ellington och Strayhorn  musik. “Inspired by Ellington” är projektets huvudslogan.

Facebookadressen är https://www.facebook.com/theseventonesproject/. Där finns alla filmer att se och höra.

Projektet finns också på YouTube.

Här är några exempel på filmer.

Covid19 stoppade Ellingtonkonferensen i Washingto D.C men den utlöste också att nya tolkningar av Ellington- och Strayhornmusik strömmade ut över världen!

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