Liseberg, Gothenburg, July 8, 1970
Konserthallen, Liseberg where the concerts took place
Cat Anderson plays The Birth Of The Blues
A couple of weeks ago, the website published Ellington’s first concert at the Liseberg amusement park in Goethburg on July 7, 1970. Today, we also make available the second concert. DESS members can download and listen to it in the Goodies Room.”. NDESOR shows only the first part of this concert but after we had been able to locate the rest of the concert, a correction sheet was posted by DEMS. We enclose the comments from the 2nd last DEMS Bulletin, published in 2012 by Sjef Hoefsmit. (more…)
DESS Bulletin 2021-1
The first issue of the DESS Bulletin for 2021 was sent to the DESS members yesterday. Its editor, Bo Haufman has produced another ambitious issue.
This time, the featured artist is trumpeter Louis Metcalf, who participated in recording sessions with the Ellington band in 1926 and 1927 and finally become a regular member of the orchestra for about a year in late 1927.
In a four-page article, Bo Haufman goes through Metcalf’s life and career with emphasis on his time with Ellington. It is supplemented by a reprint of an “Oral History” interview with Metcalf.
Another theme in the new issue of the DESS Bulletin is Harlem. It has two articles by Bo Haufman himself on the theme – one about the Ellington recordings of s music with Harlem in its name and another about Ellington’s composition The Sidewalks of New York.
A third theme is Ellington’s composition Sepia Panorama. There are two articles on this topic – one is by Mike Zirpolo and another quoted from Walter van de Leur’s presentation at the Ellington ’94 conference in Stockholm on the Ellington-Strayhorn collaboration.
In addition to these six articles, there are some more good reads in the new Bulletin. Just pick it up and find out about them yourself.
Blue Light Autumn 2020
The last issue of DESUK’s Blue Light for 2020 arrived a couple of weeks ago. It is quite research focused. The key article in this section is another impressive piece by Roger Boyes’ series on Ellington in the years of the Petrillo recording ban.
It is titled Live At The Hurricane but it covers much more than the title indicate.
It starts with the aftermath to the Carnegie Hall concert on Jan. 23, 1943 and the ensuing road tour, continues with different aspects of the engagement from April 1, 1943 at the Hurricane Restaurant on the second floor of the Brill Building on 1619 Broadway at 49th Street and ends with discussing the famous Mutual Broadcasts from Hurricane in a wider context.
Another solid and interesting research-oriented article is Pedro Cravinho’s Jazz, Revue and a Thriller. The Response of the Birminham Press to Duke Ellington’s 1933 Tour.
It is developed from a presentation he gave at the 2018 Ellington conference in Birmingham. Because of the organisation of the conference in workshops, many participants were not able to listen to it so it is most welcome that a further developed version is published by Blue Light.
The last articles in the research part deals with the Lockdown Lowdown initiative, which provides weekly broadcasts with all sorts of people with knowledge and views on Ellington.
Finally, the new Blue Light has also an enjoyable article by Brian Priestly full of insights about Clark Terry on the occasion of the 100th anniversary of his birth.
The tireless YouTube observer Brian Koller has drawn the attention of the community of Ellington fans to this new Ellington sound-only video on YouTube. Thank you, Brian.
Liseberg, Gothenburg, July 8, 1970
Duke at Lisebergshallen
In 1970 Duke Ellington & His Orchestra undertook three major tours: Japan, Australia & New Zealand and Europe. The European tour lasted more than a months, but there was only one concert date in Sweden. Two concerts were peformed at Konserthallen 8 July in Liseberg, Gothenburg’s famous amusement park.Since the previous vist to Sweden, Lawrence Brown had left while Booty Wood and Malcolm Taylor were now part of the trombone section and also Joe Benjamin had joined on bass.
As was hinted about before, these concerts were recorded on a portable recorder, and therefore the sound quality is not very good. But we assume that this is the only source to this performance, and that it therefore could be of interest to the DESS-members.
Cootie Williams plays Portrait of Louis Armstromg
Since it is difficult to hear Duke presenting the different numbers, we list them below:
*C-Jam Blues*Summer Samba*Kinda Dukish & Rockin’ In Rhythm*Second Line*Bourbon Street Jingling Jollies*Aristocracy A La Jean Lafitte*Thanks For The Beautiful Land*Portrait Of Louis Armstrong*Take The A Train*In A Sentimental Mood*Wailing Interval*Medley*Birth Of The Blues*St. Louis Blues*April In Paris *Come Off The Veldt*Solitude*It Don’t Mean A Thing*Be Cool And Groovy For Me*Satin Doll*Things Ain’t What They Used To Be*Black Swan*
Apart from some traditional numbers in Duke’s repertoire, there are a number of new tunes from the recently recorded New Orleans Suite and some others like Birth Of The Blues and Black Swan.
You will find the complete concert – with more than 100 minutes of the Ellington sound – in the Goodies Room!
Malmö, 25 October 1973
2nd Concert, part 2
Nils Lindberg and Rolf Ericson accompany Alice Babs in There’s Something About Me
We can now present the concluding part of the 2nd concert in Malmö.
The program continues as follows: *In Duplicate*Satin Doll*Serenade To Sweden*Checkered Hat*Spacemen*Jeep’s Blues*There’s Something About Me*Somebody Cares into I’m Beginning To See The Light*Take The A Train*One More Time*St Louis Blues*Mack The Knife*Hello Dolly*Tiger Rag*. Titles in bold have not been commercially issued. (more…)
Paris 28 februari 1963. En av två minnesvärda inspelningsdagar. Men varför hade sångerskan problem med den sista sången för dagen?