His most famous composition is undoubtedly Caravan, which was first recorded in 1936 by a small group, Barney Bigard & His Jazzopators, and then in early 1937 by the full Ellington orchestra.
Tizol was a very skilled player of the valve trombone with brilliant technique and a beautiful tone. On his instrument he could play passages that were more or less impossible to do on a slide trombone, and for this reason he was often used by Ellington to play with the sax section. His warm sound can be compared with that of Tommy Dorsey and is easily recognized, whether played in the Ellington orchestra or with others. He first joined the Ellington orchestra in 1929 and stayed until 1944 when he joined Harry James via a short stint with Woody Herman. In 1951 he was back with Ellington again for a two year tenure, again finding his way back to Harry James. In 1960-61 he played with Ellington temporarily. He became a very important member of the Ellington organization helping Duke with the extraction of scores and copying notes for the band members. Undoubtedly, this must have spurred his talants for arranging and writing his own material. His compositions, which in sheer numbers cannot compete with Duke and Strayhorn, are relatively numerous, and include ballads, swingers and more exotic tunes in the latin and oriental vein. Members can go to the Goodies Room and listen to some of Tizol’s finest compositions. (mer…)
Clark Terry and Harold ”Shorty” Baker flanking Paul Gonsalves in 1958. Gonsalves did not take part in the small group we refer to below.
60 years ago, in the beginning of June, Duke Ellington and His Orchestra were playing at the famous Blue Note in Chicago.
On June 4, we find Duke and a small group in a CBS TV-studio in Chicago. He leads a small group consisting of Clark Terry and Harold Baker on trumpets, Britt Woodman on trombone, Jimmy Hamilton clarinet, Jimmy Woode, bass and Sam Woodyard drums and of course Duke himself at the piano. This instrumentation is pretty unusual for Duke Ellington, maybe the only one in existence, but nevertheless it sounds very good. The telecast title was ”Jazz In The Round”. Unfortunately we don’t have access to a video copy, but the sound track is of fair quality. Our source material is coming from this telecast, which obviously also had some other contents, hence the announcer says he was going to introduce some girl singer, which does not appear on the tape.
Jimmy Hamilton in Tenderly
Members can go to the Goodies Room to listen to the complete telecast. (mer…)
Joe Williams and Oliver Nelson also participated in the celebrations
The third part of Bob Udkoff’s birthday party is not complete, due to problematic source material, but if we can obtain a better copy we’ll publish the full recording later on. Instead we now have to contend ourselves with one hour and three minutes, the rest, about 17 mins long’ not fit for listening. At the end of the hour, we can hear clear signs of deteriorated, but bearable sound.
First out is Oliver Nelson in Body And Soul
Storviks järnvägsstation som den kan ha sett ut vid Ellingtons besök 1939
Många av våra medlemmar kanske är osäkra på var man kan hitta Storvik på världskartan, eftersom orten idag kan tyckas obetydlig. På 1800-talets senare hälft då man byggde stambanorna i Sverige hade man kommit fram till att två viktiga järnvägslinjer skulle korsa varandra här, vilket gjorde att det lilla samhället blev en viktig trafikknutpunkt. Orten är idag en del av Sandvikens kommun och tågen fortsätter att passera här, men stationen är numera knappast i ursprungligt bruk.
Duke Ellington och hans orkester gjorde i april 1939 en månadslång turné i nord- och västeuropa och besökte bl.a. Frankrike, Holland och Belgien, men huvuddelen av turnén tillbringades i Sverige, som tycks ha utgjort huvudmålet för Duke och hans mannar. Den 22 april hade orkestern kommit till Eskilstuna där man hade en konsert och nästa morgon satte man sig på tåget till Storvik, där man skulle ha en konsert kl 14.30 på eftermiddagen för att senare fortsätta med tåg till Uppsala där ytterligare en konsert skulle gå av stapeln. Nedan ses några tidningsnotiser om det kommande evenemanget. (mer…)
Jimmy Jones also took part in the birthday party
The first part of Bob Udkoff’s birthday party ended with Duke at the piano playing New World A-Comin’, an important composition of his from the first part of the 1940’s. After a number of attemped intros, the second part of the celebrations starts with New York City Blues, a sweet little tune that was introduced at Carnegie Hall in 1947 and very seldom played in later years. Jimmy Jones joins Ellington at the piano in Fats Waller’s Just Squeeze Me, and then Johnny Hodges plays in his usual solo style Drag, Prelude To A Kiss and Things Ain’t What they Used To Be, the latter being cut short because the tape ran out.
New York City Blues and birthday chatter
After Johnny Hodges’ performances, it is Cootie Williams’ turn to handle I’m Beginning To See The Light and then Satin Doll is played yet another time as background to Duke’s introduction of Bob Udkoff and his wife Evelyn which is followed by a speech by Udkoff and a joint performance of the band and guests of Happy Birthday. (mer…)
Bob Udkoff was born in Chicago but moved later to California and settled in Los Angeles. He was a lifelong friend and associate of Duke Ellington, Joe Williams, Kenny Burrell and many others in the jazz world. He had a successful career as a founder of Blue Haven Pools.
Duke and Udkoff had been friends since 1934 when Udkoff worked for a dry cleaner and dropped off Duke’s clothes at the Dunbar Hotel in Los Angeles where Duke was staying.
When Bob Udkoff celebrated his 50th birthday on April 17, 1968 at Cabellero Country Club in Los Angeles, Duke Ellington and his Orchestra provided the music and took part in the celebrations.
Udkoff recorded privately about four hours of music by Duke and his men, and also by other guests.
A few years ago these tapes found their way to Sjef Hoefsmit with the stated purpose that he could make them available to Ellington fans on a non-commercial basis. The material fills 3 CD records and today we are happy to offer the content of the first one to the DESS-members for listening and downloading in the Goodies Room. This is possible thanks to the generosity of Mark Cantor – the jazz film specialist with his website http://jazz-on-film.com/ – who has provided us with the files.
Duke played a lot of piano solos, with the band joining in now and then. No charts were used by the band members, but this of course was familiar ground to all of them. Duke starts with Salute To Morgan State and I Can’t Get Started. There is sometimes a rather loud chatter from the birthday guests, which is one reason why these performances were not judged feasible for commercial issue.
Duke at the piano
(the top picture is not from this session)
The band joins in on I Let A Song Go Out Of My Heart and Don’t Get Around Much Anymore where Johnny Hodges is heard soloing. Next, Jimmy Jones takes over as piano player with Cat Anderson as the soloist in Satin Doll. Lawrence Brown is the trombone player heard on I Left My Heart In San Fransisco whereafter The Twitch is played by Duke and the full band.
Mood Indigo is played in usual fashion after a few different introductions and after a short interlude. Cootie Williams is the soloist in Fly Me To The Moon. Next is a new performance of Satin Doll with Duke at the piano and with Paul Gonsalves playing tenor. This is followed by Duke playing solo piano on Dance No 3 from the Liberian Suite after which we can hear Clark Terry playing in Stompin’ At The Savoy. At the end of this CD, Duke again is at the piano playing Blue Belles of Harlem, Meditation and New World A-Comin’.
No attempt has been made at editing this recording, which means that the listener has to accept some interruptions and guest chatter. Nevertheless, listening to this recording could be of interest to the DESS members. We hope you’ll enjoy it!
The predecessor to The Hollywood Empire was called Tom Breneman’s
Thomas Breneman Smith (June 18, 1902 – April 28, 1948) was a popular 1940s American radio personality known to his listeners as Tom Breneman. For most of his career, he was based in Southern California, in Los Angeles and Hollywood. His radio program was such a success that he established Tom Breneman’s Restaurant in Hollywood, which attracted many actors, musicians and others. In 1948 it was renamed The Hollywood Empire with Gene Norman as one of the partners. For the opening in December 1948, Woody Herman’s 2nd Herd was hired and before Duke Ellington and his orchestra appeared in Februari 1949, both Louis Armstrong and Billy Eckstine appeared there. Our third programme from The Empire is also from Februari 1949, according to New Desor, the session number is DE4906 which would indicate that the recording date is after February 10. Below you can listen to one of Kay Davis’ better performances from the period, He Makes Me Believe.
Kay Davis sings
The complete broadcast, originally issued as AFRS Jubilee J-349 can be found in the Goodies Room. (mer…)