DUKE ELLINGTON SOCIETY OF SWEDEN

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Interpreting Ellington 2

From Calloway to Mulligan

   Charlie Barnet            Boyd Raeburn           Gerry Mulligan

Bildresultat för Charlie BarnetBildresultat för Boyd Raeburn

Jimmie Lunceford

    Count Basie               Cab Calloway        Jimmie Lunceford

Black Beauty

Nobody really knows how many songs Duke Ellington wrote during his long career as a song writer, and many of them were only performed by himself or his orchestra. Quite a  few, however, became ever-greens and many others were appreciated as jazz standards which were favoured by other orchestras.

Charlie Barnet was probably the one band-leader that had the largest number of Ellington’s compositions in his book and he also was a good friend of Duke’s. He didn’t try to copy Duke’s arrangements, instead he made his own typical interpretation of his songs. Above, you can click to listen to his recording of Black Beauty, an early Ellington composition, played by one of Charlie Barnet’s last bands from 1967. In the Goodies Room you’ll find more music by other bands. (mer…)

Duke Ellington at Birdland, June 30, 1951, part 2

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How High The Moon

The second part of the WMCA broadcast with Duke Ellington & his Orchestra continues. This part of the programme consists of:

*How High The Moon*Mood Indigo*Love You Madly#*Fancy Dan*Diminuendo In Blue/Wailing Interval/Crescendo In Blue¤*Take The A Train#/Jumpin’ With Symphony Sid into bc close*

# previously issued on Stardust 202

DESS members are welcome to the Goodies Room to listen or download.   (mer…)

Duke Ellington at Birdland, June 30, 1951, part 1

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Jumpin’ With Symphony Sid & broadcast intro

Ellington had a rather busy schedule in June 1951, with Meadowbrook and Birdland  being the most important engagements, the latter lasting from June 21 to June 30. We have an existing WMCA broadcast from June 30, with the same orchestra members as earlier in June. The first half of this broadcast can be found in the Goodies Room. The sound quality is not the best but some of the music was issued on record, long time ago (Stardust 202, 1975), and can probably be heard to better advantage with this record available. In this first part of the broadcast, the following numbers are included:

Jumpin’ With Symphony Sid*Take The Train*Midriff*Warm Valley#*Eighth Veil*The Hawk Talks*Flamingo*Boy Meets Horn#                                                                               # Stardust 202 (mer…)

Duke Ellington at Birdland, June 23, 1951

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Aberdeen

A little more than a week after his stay at Meadowbrook, we find Ellington and the orchestra playing at Birdland, the famous jazz spot in Manhattan. Their stay there was from June 21 to 30 in 1951. They had played there for one week in early May,(May 3 to 9), following Count Basie and his orchestra . The band personell had not changed, except that Norma Oldham is no longer present.

In the Goodies Room, DESS members will find a nearly complete version of the a broadcast from June 23 as far as the melodic contents go. Some of the numbers have been issued commercially before on Session Disc 107 and Stardust 202, both in 1975. The contents are as follows:

*Take The A Train*Fancy Dan#*The Hawk Talks#*Swamp Drum#*Rockin’ In Rhythm#*Happy Bithday To You*Aberdeen*Caravan*All Day Long*Ol’ Man River*Harlem Air Shaft##*Things Ain’t What They Used To Be*Take The A Train

# Session Disc 107, ## Stardust 202

(mer…)

Meadowbrook, Cedar Grove, June 1951

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Willie Smith and Harold Baker are soloing in Sophisticated Lady

To complete our series of broadcasts from the Meadowbrook in New Jersey, we can now present to the DESS members, in the Goodies Room, the final recording from this venue. For this event, discographies do not specify the exact date, only June 1951. According to the New DESOR, it was once issued on VOA POD-41/POD-42, but the exact circumstances are not known. VOA stands for Voice Of America, so this music was probably sent over its own network.

Like all previous recordings from Meadowbrook in June 1951, this one also comes from an MBS broadcast. The following numbers were played:

All Day Long*Sophisticated Lady*The Hawk Talks*Midriff*Just A-Sittin’ And A-Rockin’*Caravan (mer…)

Meadowbrook, Cedar Grove, New Jersey, June 11, 1951

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Pompton Turnpike

VIP’s Boogie

This article covers the MBS “Coast To Coast” broadcast with Ellington and his orchestra from Meadowbrook on June 11, 1951. The full broadcast is available to DESS members in the Goodies Room.

Announcing the broadcast, the presenter says that it comes “to you from Frank Dailey’s Meadowbrook here on Route 23, the newest Pompton Turnpike in Cedar Grove, New Jersey, just a short fifteen miles from New York City”.

The Newark-Pompton Turnpike was a roadway in northern New Jersey that was originally a tolled turnpike. The roadway was first laid out in the mid-18th century and given its name in 1806. As originally designed, it connected Newark with the area north and west of the Pompton River in what is now Riverdale.

The songwriters (and bandleaders) Will Osborne and Dick Rogers wrote a song – Pompton Turnpike – in 1940. It is a strong plug for Meadowbrook. The lyrics says “Pompton Turnpike leads you / To a place not far from Broadway / Still it’s on a farm. / You dine with lights subdued / The music interlude puts you right in the mood.”

Charlie Barnet recorded the song in an instrumental version on July 19, 1940 and Louis Jordan followed suite with a vocal version on September 30.

In the broadcast, Ellington features the following songs:  Take The A Train & intro*VIP’s Boogie*Jam With Sam*Don’t Get Around Much Anymore*Sultry Serenade*Duet*Love You Madly*The Hawk Talks*The Happening*Gotta Go (mer…)

ELLINGTON at GRINNELL

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Above is a picture of a very rare LP-album recorded in 1957, on January 10, exactly 60 years ago. This items shows up now and then on auctions, and the interested buyer is expected to pay 400 USD+  to become the owner. DESS-members can enjoy this music by logging into the Goodies Room.

Blue Skies

Grinnell is a town in Iowa with one of the more reputed colleges in USA. It was here at Grinnell College during a wintry evening Ellington and his men played a concert which according to sources received a luke-warm reception. Probably due to the scarcity of copies of the record, it seems that Messrs Timner, Aasland and Hoefsmit were not able to make too many comments on its origin and contents. It was in fact suggested that the playing order of the the tunes was not the correct one on the record compared to the concert, so therefor it is different in the New Desor. (mer…)

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