När Duke Ellington och hans orkester reste på Europa-turné i oktober 1958, så var det 8 år sedan den förra turnén och av manskapet som deltog 1950 återstod nu bara c:a hälften. I stället hade nya musiker etablerat sig i orkestern.
Publiken i Europa fick nu för första gången höra och se ett antal nya intressanta solister som Clark Terry, Cat Anderson, Britt Woodman, John Sanders, Paul Gonsalves, Sam Woodyard m. fl., som visserligen inte var okända, men som var nya för den europeiska publiken.
Turnén började i London den 5 oktober och avslutades i Paris den 20 november och då hade orkestern haft konserter nästa varje dag däremellan.
Den 4 november hade turen kommits till Sverige och Stockholm, där orkestern konserterade i Kungl. Tennishallen. Från denna konsert finns tyvärr inget bevarat, men däremot besökte orkestern Göteborg två dagar senare och därifrån finns två hela konserter bevarade.
1958 års upplaga av Duke Ellington och hans orkester var tveklöst en av de av de bästa som besökte Europa under alla år. Musik från den andra föreställningen i Göteborgs konserthus har tidigare utgivits i urval på olika skivmärken, men inte i sin helhet, samt sänts i radio (i utdrag) både 1958 och senare.
DESS’ medlemmar får den här gången ta del av den första konserten från Göteborg, vilken aldrig utgivits på skiva (undantag: Diminuendo and Crescendo In Blue & Wailing Interval). Nedan hör vi ett exempel från konserten, medan resten av konserten finns i Godisrummet.
Thelma Carpenter sings
Do Nothin’ Till You Hear From Me
We have one last recording from Birdland in May 1951 to offer our members in The Goodies Room, namely music from an ABC telecast titled ”The Kreisler Bandstand”, sponsored by a watchband manufacturer, named Jacques Kreisler and supposed to have taken place on May 3, 1951. (some sources say May 2). We here the same band as in all previous broadcasts in May and June 1951, but with two new singers, Thelma Carpenter and Avon Long, who were only to appear with Duke Ellington and his orchestra on this specific occasion. Both singers were well-known personalities in the entertainment world, Thelma Carpenter had replaced Helen Humes in the Basie orchestra, and Avon Long had been performing in the role of Sportin’ Life in Gershwin’s Porgy And Bess on Broadway. (mer…)
Den 29 april 1899 föddes Edward Kennedy Ellington i Washington DC. Föräldrarna tillhörde stadens svarta medelklass och Duke, som han tidigt kom att kallas, fick en solitt borgerlig uppfostran. Duke brukade inte fira sina födelsedagar med något överdåd, men då han skulle fylla 70 år, hade han uppnått en sådan status i sitt hemland och världen i övrigt att inte ens USAs president kunde blunda för faktum.
President Nixon bjöd därför in till en hejdundrande fest i Vita Huset, med deltagande av många kända jazzprofiler. Denna fest finns bl. a. dokumenterad dels i form av en film, med kommentarer av Willis Conover och en bok betitlad ”Ellington At The White House 1969” författad av Edward Allan Faine. Filmen, som nu görs tillgänglig för DESS-medlemmarna i Godisrummet, skickades ursprungligen ut till ett antal olika USA-ambassader i världen i avsikt att användas i kulturellt propagandasyfte.
Den lades senare upp på YouTube av USAs kulturdepartement.
In May-June 1951, Duke Ellington and His Orchestra could be heard at Birdland during two periods: May 3 to May 9 and June 21 to June 30. We have earlier presented music from two broadcasts, those of June 23 and June 30, but two more remain in existance, namely one originally thought to be from late June and one from early May. DESS members will now have the opportunity to listen to music from the undated June broadcast (NDESOR 5121) which has now been established to have taken place at Birdland on May 5. Just go to the Goodies Room and listen/download. The following tunes are played (mixed origin): (mer…)
Something To Live For
The first set of Cirkus concert was undoubtedly telecasted by Swedish Television (and was also rebroadcasted by the French TV-station M6 around 1990). However, it is more doubtful if the second set was ever broadcasted. The new DESOR lists it as ”Pre-rec for SR telecast” and so far a video copy of a telecast of the second set has not surfaced. Fortunately, copies of the soundtrack of the second set exist and we are happy to give DESS’ members the opportunity to listen to this. The origin is unknown and the audio material seems to come from two different sources, judging from the sound quality, which is somewhat different for the Ellington and Fitzgerald parts. Any additional information from the members about this would be appreciated.
The following songs are played:
Take The A Train & intro*Black And Tan Fantasy#* Soul Call* Wings And Things* Jam With Sam are all played by Ellington and the orchestra (mer…)
Imagine My Frustration
The performance at Cirkus in Stockholm on February 8, 1966 was carried out as one concert with an intermission. Both sets are believed to have been broadcasted by Swedish Television, but video copies of the second part still remain missing – or was it ever broadcast? We however have audio copies and DESS members can now find a copy of the first part in the ”Goodies Room”. As mentioned earlier, the format of the concerts during Ellington’s 1966 tour to Europe was that Duke and the orchestra played the first part of the program with Ella Fitzgerald and her trio playing the second. This routine was repeated after the intermission.
The concert starts with Take The A Train after which Ellington announces West Indian Pancake which is a new number where Paul Gonsalves shows what he is able to do . Neaxt the ”Piano player” sits down at the piano to tinkle at tune known to everybody as Kinda Dukish which continues into one of the Ellington oldies, Rockin’ In Rhythm. La Plus Belle Africaine, one of Ellington’s more ambitious works, is also new for this season, and is often played in the years to come. To conclude the first part of the concert, Ellington announces The Opener as the closing number. (mer…)
From Calloway to Mulligan
Charlie Barnet Boyd Raeburn Gerry Mulligan
Count Basie Cab Calloway Jimmie Lunceford
Nobody really knows how many songs Duke Ellington wrote during his long career as a song writer, and many of them were only performed by himself or his orchestra. Quite a few, however, became ever-greens and many others were appreciated as jazz standards which were favoured by other orchestras.
Charlie Barnet was probably the one band-leader that had the largest number of Ellington’s compositions in his book and he also was a good friend of Duke’s. He didn’t try to copy Duke’s arrangements, instead he made his own typical interpretation of his songs. Above, you can click to listen to his recording of Black Beauty, an early Ellington composition, played by one of Charlie Barnet’s last bands from 1967. In the Goodies Room you’ll find more music by other bands. (mer…)