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DR Ellington Broadcasts (26)

The fourth  ”goodie” in September is program 26 in the Duke Ellington series broadcasted by the Danish Radio in the mid-1980s to the mid-1990s. The broadcast is available in the ”Goodies” section of the website.

This program was broadcasted on July 19, 1985 and the announcer is Bjarne Busk.

It combines a stockpile session from 1971 with excerpts from Ellington’s concert in the Coventry Cathedral February 21, 1966.

The February 1-3, 1971 stockpile session features the singer Bobby Gordon in three number – Rocks In My Bed, Love You Madly and Looking For My Man.

”Not a very subtle singer”, one commentator has said but she certainly rocks with a strong bluesy feeling. She toured with Ellington for 15 months in 1971-1973 under her artistic name Nell Brookshire.

The stockpile part of the broadcast ends with Peke – another groovy blues with Wild Bill Davis in a prominent role together with Ellington. Harold Ashby, Malcolm Taylor and Cootie Williams also solo. Peke was later issued by Storyville on the Togo Brava Suite CD.

Next comes four selections from Coventry Cathedral – Come Easter, Tell Me It’s The Truth, West Indian Pancake and La Plus Belles Africaine. For those, who have not yet bought Storyville’s complete version of the concert, have now the opportunity to hear half of it.

The broadcast ends with Ellington soloing on the piano in Japan in 1964. Bjarne Busk’s appeal to the listerners to help him to identify what Ellington is playing. It turned out to be an early version of something that later developed into Ad Lib on Nippon. In the Ellington discographies it is listed as Nagoya.

 

 

DR Ellington broadcasts (25)

The third  ”goodie” in June is program 25 in the Duke Ellington series broadcasted by the Danish Radio in the mid-1980s to the mid-1990s. The broadcast is available in the ”Goodies” section of the website.

 

The program was broadcasted on July 12, 1985 and the announcer is Bjarne Busk.

Ellington’s My People is the focus of the broadcast. Busk gives the listerners 11 selections from the musical recorded either on August 20, 1963 or August 21 and August 27 plus a short interview with Mercer Ellington about ”My People”.

The program starts with a ”Piano Blues Ouverture”. It is the non-vocal version of ”Jail Blues” which is not included in the program.

Next comes ”Blues at Sundown”, a long-term feature for Jimmy Grissom.

Joya Sherrill sung ”My Heritage (aka My Mother, My Father and Love)” in the original performance of the musical. Bjarne Busk let us hear it in the broadcast (including the narration) but also a short retake of the ending of the song.

Then follows an incomplete take (-1) ”King” (”aka King Fit The Battle Of Alabam) and the full take-2 of the piece. In the show it was apparently preceeded by a slower version of the same song. The latter is unfortunately not included in the broadcast but available on CD.

The broadcast continues with a rendition of ”The Blues Ain’t” sung by Lee Greenwood. In the show this song was performed by Joya Sherrill just before ”Blues At Sundown”.

A non-complete version of ”Walking And Singin’ The Blues” sung by Lee Greenwood comes next.

Following a short interview with Mercer Ellington, the broadcast ends with ”Strange Feeling” from ”Perfume Suite”sung by Jimmy Grissom and ”After Bird Jungle” with Rudy Powell as clarinet soloist.

From a discographical point of view, it is not easy to decode the broadcast but it seems to be a fair presumption that the dates and takes of the different songs are basically identical to what is included in the Storyville issue of the complete show (Storyville 1018430).

 

 

 

 

DR Ellington Broadcasts – Program 18

The fourth ”goodie” for September is program 18 in the Duke Ellington series broadcasted by the Danish Radio in the mid-1980s to the mid-1990s.

As usual, it is available in the ”Goodies of the Month” section of the DESS Lobby (DESS-rummet).

The program was broadcasted on March 29, 1985 and the presenter is Erik Wiedeman. It is – like the broadcast on March 22, 1985 – entirely devoted to the music of the ballett ”The River”. Together, the two programs includes all the movements of ”The River” in different stages of development.

The program starts with the piano version of ”The River” from May 25, 1970. It is followed by ”The Meander” – also a piano version – from May 11, 1970. It was meant to be played in Program 17 but because of a mix-up ”The Lake” was played instead. ”The Meander” is the third movement

The orchestral version of ”The Lake” (May 25, 1970) comes next. It is the fifth movement of the suite.

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