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Brian Priestly on Duke – The Pianist

Brian Priestly was also one of the speakers at the Ellington ’92 conference in Copenhagen.

Photo Bjarne Busk

He talked about ”Ellington The Pianist”.

During the 45 minutes presentation, Priestly played eight Ellington recordings with the piano at the centre and used them to highlight different aspects of Ellington’s piano playing. From time to time, he also sat down at the piano to give emphasis to his comments.

The music played in the program was Rockin’ in Rhythm (1937), Melancholia (1953), See See Rider (1972), (I’m Riding On the Moon and) Dancing on the Stars (1938), Band Call (1954), The Clothed Woman(1947), Bang Up Blues(1950) and Body and Soul (1961)

 

 

 

Brian Priestly on BB&B

In 1974, Brian Priestly – jazz writer and pianist among other things – and the arranger and composer Alan Cohen wrote what Mark Tucker has labelled ”the first serious analytical article on Black, Brown and Beige”.

In the early 1970’s, they spent considerable time listening to and transcribing several recordings of the suite and they also studied a score published by Tempo Music.

Their work was the basis for the recording of BB&B, which Alan Cohen did with his orchestra in 1972.

Having acquired a very detailed knowledge of the suite, they were able to write an article which Tucker has characterized as a ”densely detailed, section-by section discussion” with ”special attention to Ellington’s thematic treatment and unifying techniques”.

The article was originally commissioned by the British ”Jazz & Blues” magazine but finally published in ”Composer” – the bulletin of the Composers Guild of Great Britain. A reprint of it is included in The Duke Ellington Reader.

At the Ellington ’88 conference in Oldham, Brian Priestly revisited Black, Brown and Beige.

The Ellington Orchestra ended its ”Extended Ellington” concert on the third day of the conference with a performance of the work. For the occasion, Alan Cohen took over as guest conductor and he brought in Brian Priestly to play the piano as he had done when Cohen  recorded the suite in 1972.

In the afternoon before the concert, Priestly shared his analysis of and view on the work with the conference participants. It is a presentation not to be missed.

The performance of the BB&B at Ellington ’88 will be available on the website on September 28.

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