Hem » Go
Duke Ellington in a Columbia recording studio
Chester Crumpler sings Maybe I Should Change My Ways
Ellington made the last recordings of the RCA-Victor period in September 1946 and after some recordings for Musicraft in the end of that year, he signed a contract with Columbia which resulted in several studio dates, the first of which materialized on August 14, 1947 in Hollywood. In the Goodies Room members will find all the recorded material from this session, complete with alternative and breakdown takes. Four different numbers were recorded at that date: H’ya Sue, Lady Of The Lavender Mist, Women, Women, Women, and Maybe I Should Change My Ways
Stichting Doctor Jazz presents a previously unissued concert by Duke Ellington and his orchestra from the Hill Auditorium at Ann Arbor University in Michigan, dated 2 July, 1956. This happened just a few days before Duke and his men made their appearance at the famous Newport Festival. It is not, however, a rehearsal for that event, but rather an ordinary concert, with a repertoire reflecting what the band usually played at the time. What makes this recording unique is the very good sound quality achieved on this occasion. We also hear some outstanding solo performances, such as Clark Terry in Harlem Air Shaft, Jimmy Hamilton in Clarinet Melodrama, Britt Woodman in Theme For Trambeam, and Johnny Hodges in Prelude To A Kiss, just to mention a few. Steve Voce has written the interesting liner notes.
The complete play list is as follows: *Black And Tan Fantasy*Stompin’ At The Savoy*Clarinet Melodrama*Harlem Air Shaft*Sophisticated Lady*Theme For Trambeam*Satin Doll*Take The A Train*Take The A train*La Virgen De La Macarena*Monologue*VIP’s Boogie*Jam With Sam*The Hawk Talks*Prelude To A Kiss*Things Ain’t What They Used To Be*Day In, Day Out*
Parts of this material was published on this web-site in August 2016 under the title ”Ann Arbor,2 juli 1956” (in Swedish).
During the years of the Petrillo recording ban, 1942-1944, there were of course very few studio recordings by Duke Ellington and his orchestra, but fortunately for us, he and the band had long periods of engagement at the Hurricane Restaurant in NYC, from which fans were able to listen to broadcasts almost daily. This was the case also after the recording ban had been lifted. In 1943 the band played for nearly 6 months at the Hurricane and in 1944 for for about 9 weeks. A great many of these broadcasts have been issued on records in later years, many of them in the great DETS series. (mer…)
Den här gången är det dags för det nionde programmet i Jan Bruérs och Lars Westins serie om Duke Ellington.
Titeln den här gången är Praise God and Dance. Den är lite vilseledande för programmet handlar om mycket mer än Sacred Concerts. Det tecknar också med breda penseldrag Ellington samarbete med skivbolag som Reprise och Impulse och ger många exempel från det.
Av någon anledning finns programmet inte listat i Svensk mediedatabas men det bör ha sänts den 2 maj 1992
Liksom de föregåendet programmen i serien finns det här programmet tillgängligt för DESS-medlemmar i radiodelen av Elllington-arkivet.
His most famous composition is undoubtedly Caravan, which was first recorded in 1936 by a small group, Barney Bigard & His Jazzopators, and then in early 1937 by the full Ellington orchestra.
Tizol was a very skilled player of the valve trombone with brilliant technique and a beautiful tone. On his instrument he could play passages that were more or less impossible to do on a slide trombone, and for this reason he was often used by Ellington to play with the sax section. His warm sound can be compared with that of Tommy Dorsey and is easily recognized, whether played in the Ellington orchestra or with others. He first joined the Ellington orchestra in 1929 and stayed until 1944 when he joined Harry James via a short stint with Woody Herman. In 1951 he was back with Ellington again for a two year tenure, again finding his way back to Harry James. In 1960-61 he played with Ellington temporarily. He became a very important member of the Ellington organization helping Duke with the extraction of scores and copying notes for the band members. Undoubtedly, this must have spurred his talants for arranging and writing his own material. His compositions, which in sheer numbers cannot compete with Duke and Strayhorn, are relatively numerous, and include ballads, swingers and more exotic tunes in the latin and oriental vein. Members can go to the Goodies Room and listen to some of Tizol’s finest compositions. (mer…)
Clark Terry and Harold ”Shorty” Baker flanking Paul Gonsalves in 1958. Gonsalves did not take part in the small group we refer to below.
60 years ago, in the beginning of June, Duke Ellington and His Orchestra were playing at the famous Blue Note in Chicago.
On June 4, we find Duke and a small group in a CBS TV-studio in Chicago. He leads a small group consisting of Clark Terry and Harold Baker on trumpets, Britt Woodman on trombone, Jimmy Hamilton clarinet, Jimmy Woode, bass and Sam Woodyard drums and of course Duke himself at the piano. This instrumentation is pretty unusual for Duke Ellington, maybe the only one in existence, but nevertheless it sounds very good. The telecast title was ”Jazz In The Round”. Unfortunately we don’t have access to a video copy, but the sound track is of fair quality. Our source material is coming from this telecast, which obviously also had some other contents, hence the announcer says he was going to introduce some girl singer, which does not appear on the tape.
Jimmy Hamilton in Tenderly
Members can go to the Goodies Room to listen to the complete telecast. (mer…)
Joe Williams and Oliver Nelson also participated in the celebrations
The third part of Bob Udkoff’s birthday party is not complete, due to problematic source material, but if we can obtain a better copy we’ll publish the full recording later on. Instead we now have to contend ourselves with one hour and three minutes, the rest, about 17 mins long’ not fit for listening. At the end of the hour, we can hear clear signs of deteriorated, but bearable sound.
First out is Oliver Nelson in Body And Soul