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When Ellington started his 1969 European tour at the end of October that year, three performances of the ”Second Sacred Concert ” was scheduled, The first one was to take place in Stockholm on November 6, the second in Paris on November 16 and the third one in Barcelona on November 24.
The website has published the full performance of the ”Second Sacred Concert” in the Gustav Vasa Church in Stockholm on November 6, 1969. It was done in two installments – the first one was published on December 8, 2016 and the second on April 27 this year.
Now the website turns to the second performance of the ”Second Sacred Concert” – one in Paris.
After having criss-crossed Europe after the visit to Stockholm, Ellington and the orchestra must have arrived in Paris on November 15 to be fully available for both a rehearsal and the concert in the Church of Saint Sulpice in the 6th arrondissement of Paris on November 16.
The Swingle Singers had been engaged to do the choir part at the concert and Wild Bill Davis was present as well.
Based on NDESOR, it seems that the program in Saint Sulpice was identical to the one in Stockholm except that two numbers were added to the program – ”The Preacher’s Song” sung by Tony Watkins and ”In The Beginning God” with Babs, Watkins and The Swingle Singers.
The website has not been able to locate a film with the full version of the concert but it was certainly filmed and the material used to produce a 40 minutes film. Possibly it was done by a company called Le Service des Variétés or as part of a series with this name.
The film covers about half of what was performed at the concert and includes the following songs: Praise God – The Shephard – Heaven – Freedom – Meditation – TGTT – Praise God and Dance.
We are happy to share it here with DESS’ members and our other readers. Unfortunately, the last 3 minutes of the film is missing. Perhaps someone can provide us with a complete version.
It is obviously recorded from one of Philippe Adler’s Jazz 6 programs on the French TV channel M6. His voice is heard in the beginning and in the middle of the film.
In the November 2018 issue of the DESS Bulletin, Bill Berry (1930-2002), ex-Ellington trumpeter, was featured rather heavily. We came across an interview by doctor Michael Woods, where he was talking to not only Bill Berry, but also Buster Cooper (1929-1916) who played in Ellington’s trombone section from 1962 to 1969. Berry was a member of the trumpet section in the beginning in 1962 and also later on played with Ellington on a few other occasions, so the two men’s tenure with the band was over-lapping for a few months.
By clicking above you will be able to se and hear this interesting interview from 1995. We hope you will enjoy it!
DESS and its sister organization in UK, DESUK, have together produced a CD as a gift to the members, just in time for Christmas. This year we have selected a dance date from the Holiday Ballroom in Chicago on November 10, 1957. The band is the same as appeared at the Newport Festival in the previous year, except that Harold Baker on trumpet and Ozzie Bailey, vocal, are added.
Blue Jean Beguine
The sound on the CD is quite all right, and above you’ll find a sample with Cat Anderson playing trumpet on his own composition. The sound of the audience adds to the autenticity of this real dance date. The contents can be seen on the copy of the CD booklet (top picture), which on its inside has got interesting liner notes by Roger Boyes. We find some rare numbers in the program, such as Mambo Jambo by Perez Prado, In The Mood by Joe Garland and Happy One by Duke himself. In the years just after the Newport ’56 Ferstival, Diminuendo And Crescendo In Blue with the Wailing Interval was more or less mandatory in any appearance by Duke Ellington and his orchestra.
We wish all DESS members happy listening!
Listen to the vibraphone player!
Medowbrook Gardens, situated in Culver City, California, burned down to the ground in 1948. It had been started as Sebastian’s Cotton Club, transformed into Casa Mañana and later Meadowbrook Gardens. Duke Ellington and his orchestra played here in 1946 and 1947 (and also earlier in Casa Mañana). We can offer the DESS-members some unissued broadcast material from October 4 and 5 in 1947 with some unusual features. Just go to the Goodies Room! (mer…)
Duke Ellington in a Columbia recording studio
Chester Crumpler sings Maybe I Should Change My Ways
Ellington made the last recordings of the RCA-Victor period in September 1946 and after some recordings for Musicraft in the end of that year, he signed a contract with Columbia which resulted in several studio dates, the first of which materialized on August 14, 1947 in Hollywood. In the Goodies Room members will find all the recorded material from this session, complete with alternative and breakdown takes. Four different numbers were recorded at that date: H’ya Sue, Lady Of The Lavender Mist, Women, Women, Women, and Maybe I Should Change My Ways
Stichting Doctor Jazz presents a previously unissued concert by Duke Ellington and his orchestra from the Hill Auditorium at Ann Arbor University in Michigan, dated 2 July, 1956. This happened just a few days before Duke and his men made their appearance at the famous Newport Festival. It is not, however, a rehearsal for that event, but rather an ordinary concert, with a repertoire reflecting what the band usually played at the time. What makes this recording unique is the very good sound quality achieved on this occasion. We also hear some outstanding solo performances, such as Clark Terry in Harlem Air Shaft, Jimmy Hamilton in Clarinet Melodrama, Britt Woodman in Theme For Trambeam, and Johnny Hodges in Prelude To A Kiss, just to mention a few. Steve Voce has written the interesting liner notes.
The complete play list is as follows: *Black And Tan Fantasy*Stompin’ At The Savoy*Clarinet Melodrama*Harlem Air Shaft*Sophisticated Lady*Theme For Trambeam*Satin Doll*Take The A Train*Take The A train*La Virgen De La Macarena*Monologue*VIP’s Boogie*Jam With Sam*The Hawk Talks*Prelude To A Kiss*Things Ain’t What They Used To Be*Day In, Day Out*
Parts of this material was published on this web-site in August 2016 under the title ”Ann Arbor,2 juli 1956” (in Swedish).
During the years of the Petrillo recording ban, 1942-1944, there were of course very few studio recordings by Duke Ellington and his orchestra, but fortunately for us, he and the band had long periods of engagement at the Hurricane Restaurant in NYC, from which fans were able to listen to broadcasts almost daily. This was the case also after the recording ban had been lifted. In 1943 the band played for nearly 6 months at the Hurricane and in 1944 for for about 9 weeks. A great many of these broadcasts have been issued on records in later years, many of them in the great DETS series. (mer…)