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Program 46 was broadcasted on May 28, 1991. It was produced and presented by Fleming Sjølund-Jensen.
The program starts with Love You Madly sung by Milt Grayson. It is from the March 19, 1962 stockpile session when Grayson recorded four songs.
In addition to Love You Madly, they are Solitude, You Better Know and There’s No One But You. The last song was made popular by Mills Brothers in the mid-1940’s and was apparently composed by Austen Croom-Johnson and Red Evans. Nothing from the session has been issued on vinyl or CD.
Next Sjølund-Jensen turns to the recording session July 18, 1966 when Ellington together with John Lamb and Sam Woodyard recorded six songs, which was later included in the album The Pianist.
However, he does not let the listeners hear any of the songs but focuses on the second part of the session when Ellington recorded Tingling Is A Happiness and Dancers in Love and a congratulatory talk to be included in an exclusive record for the participants in the 50 anniversary conference of Field Enterprises Educational Corporation
Sjølund-Jensen continues the broadcast with six selections from August 27, 1972. They are all issued on the Storyville CD An Intimate Piano Session (1018445)
He starts with a short version of I’m Afraid Of Loving You Too Much followed by what Sjølund-Jensen says is an unnamed improvisation but in discographies said to be The Anticipation from UWIS Suite and after that Le Sucrier Velours from Queen’s Suite.
Next in the broadcast is Come Sunday sung by Tony Watkins – in English and in Hebrew – and two more piano numbers by Ellington – first A Mural From Two Perspectives and then the Strayhorn composition My Little Brown Book, which someone asks him to play. Finally he does it but very reluctantly. “I don’t know it! I don’t remember it!”
After this, Sjølund-Jensen moves to the September 5, 1972 stockpile session, which is for Anita Moore accompanied by a tentet from the full Ellington orchestra.
In the broadcast one hears her sing New York, New York, I Got It Bad, I Let A Song Go Out Of My Heart and Misty. In the last one, Moore is accompanied only by Ellington, Joe Benjamin and Rufus Jones. None of the songs have been issued on vinyl or CD.
The broadcast ends with a version of Take The “A” Train (nc) played by Ellington, Jeff Castlemans and Rufus Jones at Ellington’s concert at Stanford University with California Youth Symphony Orchestra on March 9, 1969. This is also unissued.
Duke Ellington and Paul Gonsalves in 1963
(Photo is not from the Soccer Club)
Just before Duke Ellington and his orchestra played the week-long engagement at Gröna Lund in Stockholm in June 1963, a brief visit was made in Germany. We will let our members enjoy an unissued recording from a typical dance date for the US troops stationed in Germany. In this version of the Ellington band, Cat Anderson was missing and Rolf Ericson had just joined. The bass player was Eddie Shepard, who had a short stay with the band, a couple of years later he suffered a heart attack and died, but then he had already left the Ellington orchestra.
Diminuendo In Blue & Wailing Interval
Duke Ellington på Hurricane Restaurant, senare omdöpt till Cafe Zanzibar
Lawrence Brown är solist i Love Letters
Bilden ovan är sannolikt från Hurricane Restaurant 1944. Ellington och hans orkester var engagerade där under ett stort antal veckor under år 1943 och 1944. Etablissemanget genomgick en renovering i början av 1945, och döptes därvid om till Cafe Zanzibar, där vi återigen återfinner Duke Ellington och hans mannar under sensommaren och hösten 1945. Från åren 1943 till 1946 finns en myckenhet radioutsändningar bevarade, varav många finns utgivna på DETS-serien . I det här fallet rör det sig om en MBS-utsändning,(MBS=Mutual Broadcasting System) som inte utgivits tidigare och som DESS-medlemmarna nu kan hitta i sin helhet i Godisrummet. (more…)
Britt Woodman plays Theme For Trambean
We continue with some more music from the Ellington dance date att Trianon Ballroom on May 1, 1954 in Seattle for th Goodies Room. We start where we ended previously with In The Mood since that performance was not fully complete. Soloists are: Clark Terry, Russell Procope, Jimmy Hamilton and Ray Nance. Ultra Deluxe, which comes next and is written by Mercer Ellington, is a fine piece of Ellingtonia, which unfortunately did not stay in the reportoire for very long. It has solos by Harry Carney, Jimmy Hamilton, Ray Nance and Paul Gonsalves. The rest of this particular session is dedicated to solo performances by Rick Henderson, Britt Woodman, Ray Nance, Harry Carney and Jimmy Hamilton. (more…)
Are Ellington and Strayhorn studying the UMMG Score?
Upper Manhattan Medical Group
In April and May 1954 Ellington and his orchestra were touring in western USA. This has been documented in a concert from Embassy Auditorium in Los Angeles on April 13, and from a dance date at McElroy’s Ballroom in Portland on April 29. In addition, songs from a Capitol Recording session on April 26 have been issued on the Capitol label.
On May 1, Duke and the orchestra were performing at a dance date at Trianon Ballroom in Seattle and the first part of this is rather interesting due to the the fact that the tunes played are not so common in the band’s repertoire. DESS members can enjoy this by logging into the Goodies Room.