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Sacred Concert Nov. 6, 1969 part 2

As part of the Alice Babs series in November and December 2016, the website published the first part of Ellington’s performance of the ”Second Sacred Concert” in the Gustav Vasa Church in Stockholm. The article was published on December 8, 2016 and can be read here.

The second part has now been recovered as well and it is available for DESS members in the Goodies Room as a present ahead of Duke’s 119th birthday on Sunday.

However, it is also available below in a more compressed version.

DR Ellington Broadcasts – Program 19

The first ”goodie” for November is program 19 in the Duke Ellington series broadcasted by the Danish Radio in the mid-1980s to the mid-1990s. The broadcast is available in the ”Goodies” section of the website.

The program was broadcasted on May 31 1985.

It brings the listeners excerpts from two ”stockpile” recording sessions – one on July 25, 1962 and the other on April 4, 1967. All the selections in the program was later issued in the ”Private Sessions” series.

The program starts with three tunes from the 1967 session – ”Eggo”, ”Amta” and ”Little Purple Flower” (aka ”The F.L.”). Eggo is mistakenly announced as ”KIXX” (aka ”Traffic Jam” or ”The Biggest”) but it was recorded just before ”Eggo”.

The 1962 session is the Ellington Orchestra without the trumpet section and in the second part of the session also Johnny Hodges and Harry Carney are out.

This part of the DR broadcast is a gem for fans of Paul Gonsalves. He is the featured soloist in all the numbers. We get the opportunity to hear him demonstrate his skills in different tempi but in particular in slow ones.

First we hear him in a number called ”No. 1” but known in discographies as ”Blue Too”; then comes No. 2 – aka ”Tune Up” which is followed by ”Tigress” and ”Telstar” (aka ”Tigress”).

The broadcast ends with ”Like Late” and three Ellington compositions – ”Major”, ”Minor” and ”G” (aka ”G” for Groove”).

 

 

 

 

 

Duke at Cafe Zanzibar, Sept. 23, 1945

Hurricane Duke

Duke Ellington på Hurricane Restaurant, senare omdöpt till Cafe Zanzibar

Lawrence Brown är solist i Love Letters

Bilden ovan är sannolikt från Hurricane Restaurant 1944. Ellington och hans orkester var engagerade där under ett stort antal veckor under år 1943 och 1944. Etablissemanget genomgick en renovering i början av 1945, och döptes därvid om till Cafe Zanzibar, där vi återigen återfinner Duke Ellington och hans mannar under sensommaren och hösten 1945.  Från åren 1943 till 1946 finns en myckenhet radioutsändningar bevarade, varav många finns utgivna på DETS-serien . I det här fallet rör det sig om en MBS-utsändning,(MBS=Mutual Broadcasting System) som inte utgivits tidigare och som DESS-medlemmarna nu kan hitta i sin helhet i Godisrummet. (mer…)

Trianon Ballroom, Seattle, May 1, 1954 (2)

Britt W

Britt Woodman

Britt Woodman plays Theme For Trambean

We continue with some more music from the Ellington dance date att Trianon Ballroom on May 1, 1954 in Seattle for th Goodies Room. We start where we ended previously with In The Mood since that performance was not fully complete. Soloists are: Clark Terry, Russell Procope, Jimmy Hamilton and Ray Nance. Ultra Deluxe, which comes next and is written by  Mercer Ellington, is a fine piece of Ellingtonia, which unfortunately did not stay in the reportoire for very long. It has solos by Harry Carney, Jimmy Hamilton, Ray Nance and Paul Gonsalves. The rest of this particular session is dedicated to solo performances by  Rick Henderson, Britt Woodman, Ray Nance, Harry Carney and Jimmy Hamilton. (mer…)

DR Ellington Broadcasts – Program 18

The fourth ”goodie” for September is program 18 in the Duke Ellington series broadcasted by the Danish Radio in the mid-1980s to the mid-1990s.

As usual, it is available in the ”Goodies of the Month” section of the DESS Lobby (DESS-rummet).

The program was broadcasted on March 29, 1985 and the presenter is Erik Wiedeman. It is – like the broadcast on March 22, 1985 – entirely devoted to the music of the ballett ”The River”. Together, the two programs includes all the movements of ”The River” in different stages of development.

The program starts with the piano version of ”The River” from May 25, 1970. It is followed by ”The Meander” – also a piano version – from May 11, 1970. It was meant to be played in Program 17 but because of a mix-up ”The Lake” was played instead. ”The Meander” is the third movement

The orchestral version of ”The Lake” (May 25, 1970) comes next. It is the fifth movement of the suite.

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Trianon Ballroom, Seattle, May 1, 1954

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Are Ellington and Strayhorn studying the UMMG Score?

Upper Manhattan Medical Group

In April and May 1954 Ellington and his orchestra were touring in western USA. This has been documented in a concert from Embassy Auditorium in Los Angeles on April 13, and from a dance date at McElroy’s Ballroom in Portland on April 29. In addition, songs from a Capitol Recording session on April 26 have been issued on the Capitol label.

On May 1, Duke and the orchestra were performing at a dance date at Trianon Ballroom in Seattle and the first part of this is rather interesting due to the the fact that the tunes played are not so common in the band’s repertoire. DESS members can enjoy this by logging into the Goodies Room.
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Concert In Bergen, Norway, Nov. 3 1969

duke in B

Duke in front of the band in Bergen

Early this summer, NRK – Norwegian Broadcasting Corporation – published a video file with an Ellington concert from Bergen on November 3, 1969 on its web site. This concert was said to have been telecast only once (June 1970), which is a long time ago.

Probably only a few people outside Norway had the opportunity to watch it. Because of this and the good quality of the video, we decided to make this available to the DESS members in the Goodies Room.

The content of the programme is what can be expected from this tour, with the exception of the the closing number Acht O’Clock Rock with Tony Watkins performing a strange show as a dancer. In this number, Cat Anderson plays a very nice solo trumpet, mainly in the lower and medium registers.

Otherwise, Cootie is the soloist in Take The A Train and Paul Gonsalves in Cottontail.

What we see in the video is obviously the second part of the concert; the first part was probably not recorded, judging from its absence in discographies and Duke’s introductory remark about Cootie returning to the solo microphone.. The full programme is as follows:

*Take The A Train*Cottontail*Up Jump*La Plus Belle Africaine*Come Off The Veldt*El Gato*Medley*Acht O’Clock Rock*

Below is a sound recording of Up Jump from the concert:

We hope you will enjoy the show!

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