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The Danish bass player and radioman Erik Moseholm was another speaker on this theme. His topic was the Danish bass tradition and the inspiration of Ellington’s basists on it. He talked about the guitarist/basist Niels Foss the first major Danish bass player, Oscar Pettiford, Niels-Henning Ørsted Pedersen and of course about himself. The classical bass teacher Oscar Hegner and his 4-finger-technique features also prominently in the presentation.
Moseholm’s presentation was followed by a live demonstration by two – at that time – young Danish bass players, Jesper Lundgaard and Mads Vinding. Unfortunately, the performance was not recorded, presumably for copyright reasons.
Another major theme for the conference was “The Passing on of The Ellington Tradition“.
Stanley Crouch was the first speaker on this theme. In his presentation “The Temporary Significance of Duke Ellington” he talked a lot about the early roots of jazz and placed Ellington in this context.
It was followed by a panel discussion, in which Crouch participated together with Andrew Homzy, Peter Watrous and Erik Wiedeman. The topic of the panel was Recreating Ellington – Problems and Rewards.
The chairman of the panel, Dan Morgenstern, asked it to focus on “to what extent is it possible to create/recreate Ellington’s music”. He also brought in the issue: “How can Ellington’s legacy best be used in today’s jazz”.
This led to an interesting discussion with comments with relevance also today.